Tots ocells

For almost three years now, this text has been beyond our dreams. He came into my mind the first time I read it, and I think of it as a way of continuing the great projects that we want to tackle from La Perla 29. To build a great spectacle from a text - again groundbreaking and tremendously exciting - by the author of Fires, Forests and Heavens. Getting closer to the essence of something deep, hitting the spectators and once again posing the old dilemma of the theater: mirror or hammer?  

I remember the silences of the great opening nights, and I think of the new characters. And I'm excited to think about how these great actors and actresses will shape their new silences. How are we going to work the difficulty of understanding ourselves. How are we going to find a language, a language.

This show is born out of an imperative need to get to rehearse and show a story to viewers. How to tell her and make her live, all together. It is born of the mad desire for theater. It is a great feeling of collectiveness and a conviction that a useful and much-loved work can emerge; a passionate, fascinating and necessary work.

Oriol Broggi