Tots ocells

For almost three years now, this text has been beyond our dreams. It gripped me from the very first time I read it, and I think of it as a way of continuing the great projects that we want to tackle from La Perla 29. To build a great spectacle from a text - once more groundbreaking and tremendously exciting - by the author of Incendies, Forêts and Ciels. With this new text we can get closer to the essence of something deep, hitting the spectators and once again posing the old dilemma of the theatre: mirror or hammer?  

I remember the silences of the great opening nights, and I now think on the new characters. And I'm excited to imagine how these great actors and actresses will shape their new silences. How are we going to work the universal difficulty of understanding each other. How are we going to find a language.

This show is born out of an imperative need to get to rehearse and tell a story to viewers. How to unveil it and make it live, all together. It is born of the mad desire for theater. From great feeling of collectiveness and a conviction that a useful and much-loved work can emerge; a passionate, fascinating and necessary work.

Oriol Broggi